Thaparite historians have reason to be afraid – Reshmi Dasgupta

Romila Thapar

Interested Indians cannot be left to the tender mercies of a coterie of like-minded professional historians who have so far not been able to make themselves accessible or intelligible to all those who have a yen to know. – Reshmi Dasgupta

Last week, at the launch of Sanjeev Sanyal’s latest book Revolutionaries, Home Minister Amit Shah spoke of the need to tell the “other side” of history, as it has for too long been seen through the prism of colonial historians. This week, historian Swapna Liddle, at the launch of her own new book The Broken Script, said history writing should be left to historians. These two contradictory views highlight an increasingly vexing question: Whose history is it anyway?

Many years ago, a venerated editor of a major national daily used to write a column that continued to be published long after he retired. His commentaries were not for the faint-hearted—or for the average newspaper reader. As a rookie journalist 30 years ago, I often heard the comment that “if more than five people read his column—and understood it—he would be offended.” He apparently believed that quality and popularity were inherently mutually exclusive.

Today’s “eminent” Indian historians concur. Think of a book on Indian history you found interesting—if you ever were enthused enough to think of reading a book on history, that is. The chances are that the one(s) you like are written either by non-Indians, or Indians who are not historians. Most professional historians here write books only for their peers and hapless students. Most would probably be annoyed—like that editor—if the hoipolloi read and understand them!

They, therefore, remain smugly unaware that they have been hoist by their own petard, as the rise of non-historians writing history is proof of the failure of the “professionals”. Had the writing of history not been left to these exclusivist historians all this while, non-historians like Sanyal (an economist by education and profession) would not have had to jump in to make history accessible and intelligible to the very people whose shared past forms its core focus area.

The presiding deity of the professional historian cult is, of course Romila Thapar. And her C.D. Deshmukh Lecture at the India International Centre last week was an impeccably enunciated excoriation of the “other” historians who have the temerity to tread on hallowed ground reserved for her ilk. The overwhelmingly grey-haired audience was told that the others were a bunch of ill-read, untrained, idiotic (saffron) flag-wavers who don’t know their ass from their elbow.

She talked of the professional historians’ loyalty to methodologies and processes, characterising the work of the “others” as flights of fancy based on hearsay, mythology and their own imagination. She obviously did not think it necessary to actually read any book by those “others” before attacking them, or else she would have been horrified to discover that most of them use the same sources, methodologies and processes she assumes are exclusive to her cohort.

The difference is that non-professional Indian historians use refreshingly non-academic language and present findings and arguments in a way lay readers can relate to, not turgid jargon-ridden treatises of “historians”. Yet professional historians abroad whether they lean left or right—let us not pretend historians anywhere are impartial—make the effort to write lucidly. So they appeal to wider audiences unlike their Indian counterparts, and even produce bestsellers.

Apart from her fellow “professional” historians and generations of unfortunate students forced to read Thapar as part of history syllabi in universities—myself included—few other Indians would willingly buy any of her two dozen or so books. Most other professional historians also wallow in the same shallow pool. Ironically, it suits this elite band to keep history—knowledge—confined to a select few in this way, just like the Brahmins of ancient India used to do.

But this elite group now has reason to be afraid—be very afraid—as a revolution is underway. Their superiority and monopoly are being challenged—not by the non-professional historians but by the people, by readers. Bestseller lists based on actual sales of books rather than the selections of interest groups consistently show that works by so-called amateurs are dominating the top ranks. So much so that even publishers are now looking beyond their previous elite favourites.

The redoubtable Arun Shourie had taken on this cohort in his 2014 book Eminent Historians showing how they have steered narratives in a particular direction via total control over the writing, researching, funding, guiding and teaching history. Those professional historians have achieved little apart from discouraging legions of students who may have been inclined to explore alternative—opposing—ideas or narratives and realigning them towards more “acceptable” ideologies.

Actually, historians like Thapar did notch up a success of sorts as the vanguard of today’s cancel culture: preventing bright minds from entering their hallowed portals in the previous 60-odd years. They could then confidently heap scorn on the “other side” for lacking people with the professional qualifications to write “credible” history. But those who have hogged the history space for decades and still seek to stave off others have good reason to be ashamed of themselves.

Because, as these gatekeeper-historians kept an iron grip on textbooks, the fact that so many, if not most, young Indians who finished from school under their watch deem history to be boring and nothing to be proud of is a damning indictment of their writing and teaching. They should have been made to explain their failure and reform. Instead, they were lionised, allowed to continue controlling access to history and even anoint themselves as ‘liberals’.

The damage they wrought on young Indian minds was not always via blatant twisting of facts; it was often through selection of facts, an accusation those “liberals” lob at non-professional historians today. Why, for instance, is it that the “important” battles students memorise are the ones that were “lost”—Porus in 326 BCE, the second battle of Tarain (1192), Panipat (1526, 1556 and 1761), Plassey (1757) and Seringapatam (1799)—rather than those that were won?

The fiery Ahom general Lachit Borphukan who defeated Aurangzeb’s Rajput general Ram Singh in 1671 at the Battle of Saraighat has only now been rescued from the footnotes of history, where he was consigned by historians for reasons no longer tough to figure out. As was the Gond Rani Durgawati, who defeated Mughal forces on the first day of the battle of Narrai Nala in 1564 before being wounded on the second day and killing herself to prevent being captured.

Last year Aneesh Gokhale, a merchant navy officer who has written three books on history previously, published a gripping account of Borphukan—Lachit the Indomitable. And this year, Rani Durgawati: The Forgotten Life of a Warrior Queen by Nandini Sengupta, a journalist and writer, has just been released. Both are non-professional historians and thus candidates to be “cancelled” by the cabal. Luckily they do not aspire to academic posts and can ignore patrician vetoes!

The fact that Sanyal’s books have been runaway bestsellers, whether about more recent times like our freedom movement or on ancient India, emphatically shows that many Indians are interested in our own history. Yet books by professional historians—whom Liddle thinks should have a monopoly over history writing—are evidently not the ones they want to pick up to read. That can only mean these professional historians are incapable of addressing this huge demand.

Interested Indians cannot be left to the tender mercies of a coterie of like-minded professional historians who have so far not been able to make themselves accessible or intelligible to all those who have a yen to know. History is always contested as facts can be interpreted in a myriad of ways. But like most things about India, there has to be diversity in approaches to discover, analyse and understand our past—and present it to Indians in a lucid, engaging way.

Having understood the zeitgeist, Amit Shah exhorts the unshackling of history. Liddle does not or cannot accept that history is too important to remain the exclusive preserve of “professional” historians. But why not let both sides flourish? There is enough material and space in Indian history for all types of research and writing. Democratise history writing so that different and differing approaches—not just Thaparite dogma—can be posited and understood by everyone. – Firstpost, 20 January 2023

Reshmi Dasgupta writes on history and politics.

Romila Thapar Cartoon

Contours of India’s civilisational fate – Gautam Sen

Narendra Modi

The dynamics of historical forces on the fate of a country is usually of greater significance than the actions of mortal politicians, though they might occasionally seek to redirect it. – Dr. Gautam Sen

An air of optimism pervades the perception of many educated Indians about their country’s place in the contemporary world. Yet others are dismayed at an alleged collapse of values of tolerance and plurality that supposedly informed India’s socio-political life during the early decades after Independence in 1947. Neither view is a truthful or realistic depiction of India’s history and how it has unfolded in recent times since the accession of Narendra Modi as India’s prime minister in 2014. The long hand of the inexorable dynamics of historical forces on the fate of a country is usually of greater significance than the actions of mortal politicians, though they might occasionally seek to redirect it. Events like Peter the Great’s decisive moulding of Russia’s future, its twentieth century revolution, or changes wrought by the earlier French Revolution and American Civil War or indeed the upheavals in China following the accession of Mao Zedong are rare.

India came into its own, not as most believe as an independent country that had suddenly severed the umbilical cord of British rule overnight in 1947, but with much of the past association intact. It remained a Dominion of the British empire, with a British head of state and its armed forces led by British officers. Of course it experienced the momentous event of Partition, imposed due to the brutal sleight-of-hand of British geopolitical purposes. It was a fateful outcome that has come back to haunt the world with serious dangers as Pakistan emerges as the axis of global terrorism. The principal conspiratorial aim of establishing a military cantonment in the shape of Pakistan in northern India has been frustrated subsequently owing to developments that have bequeathed the strategic territory of Pakistan to China, now the greatest rival of the Anglosphere. Only the original aim of its deployment by Britain and then the US to constrain and harass India remains unaffected.

The India of Jawaharlal Nehru and his immediate successors was never quite so pluralist and tolerant as claimed by some. It was easier to rule since it was a more politically quiescent and less turbulent country during the first two decades after 1947.Yet, during Nehru’s premiership the democratically-elected communist government of Kerala was ejected and journalists and other critics were highhandedly incarcerated for offending his government. Of course it reached the unprecedented high water of a suspension of Indian democracy itself in the mid-1970s under the rule of his daughter, Indira Gandhi. By contrast, contemporary India continues with its raucous traditions of rivalry without pause. However, two distinctive changes of idiom are taking place, which are a genuine transformation of India’s socio-political landscape. Long established political parties are experiencing an apparent abiding decline in popularity and fortunes and that alone provokes accusations of autocratic misrule. There is also a willingness under the current dispensation to use the full force of the law to curb the illicit political funding of predecessors and rivals, which incumbents would previously ignore.

All the indicators suggest India has recently begun the surge of an historic economic trajectory that has its roots in changes first initiated more than thirty years ago. The list of indicators is long and intricate and include a major transformation of the nation’s infrastructure, a prerequisite for broader economic advancement, regulatory reform, the growing digitisation of the economy and the emergence of new commercial agents that promise to dominate India’s economic future. There is also an apparent change in political consciousness in important areas of the country, with more concern among voters about the quality of governance than parochial identity politics. Nevertheless, the phenomenon is still uneven and remains a potentially significant challenge to stable governance. The upshot of these economic and political developments has been evidence of India coping with the on-going global economic disruptions better than most. It has also managed to deal, so far, with the serious Covid pandemic with an impressive display of political self-confidence and organisational prowess.

Yet, such changes, of the kind being witnessed in contemporary India and accelerating since 2014, after a decade-long hiatus, are embedded in a significant political context. Its importance cannot be underestimated nor is there any guarantee that this arguably positive political context is inevitably durable. A major factor of the present political setting is the primacy of prime minister Narendra Modi in Delhi and his wider political role. He has been the driving force of contemporary change in India with a focus that is unique and, likely, problematic to replicate. There are some other examples of economic transformation within India that are also notable, for example, in Madhya Pradesh and Chhattisgarh and Maharashtra for a period, the latter perhaps experiencing a possible renaissance now too. But the phenomenon of Narendra Modi’s is probably unique and the principal reason for the change in the quality of governance and the economic transformation that have been unleashed in India nationally. Weighty foreign policy successes have also been registered and these two layers of change, domestic and foreign, have reinforced each other.

How the ongoing current transformation of India will likely impact its longer-run historical evolution is not easy to anticipate despite confident predictions about its global economic status within the next twenty-five years. As far as one can infer, the political economy of prime minister Narendra Modi’s strategy seems, in the main, to be the delivery of a whole range of essential public services to the mass of ordinary people, combined with effective methods for doing so. These have been unequivocally spectacular and unprecedented and clearly the reason for the high esteem in which voters hold him. There have also been a host of symbolic religious gestures and social policies that have inspired the majority community. These economic and political measures have combined with major foreign policy accomplishments that are carrying an appeal for many. Yet, no far-reaching and durable attempt has been made to mobilise India’s majority and especially in the imperative BJP heartland, by adopting policies that would galvanise them and inhibit the possibility of their electoral defection indefinitely.

On the contrary, Hindu temples remain under the occupation of hostile secular forces. They are systematically destroying the heritage of India’s ancient civilisational identity with alarming long-term consequences not achieved by earlier iconoclasts. In addition, there has only been a dismayingly feeble attempt to alter India’s dangerously corrosive prevailing national narrative without imaginative countermeasures, forcefully implemented. There are also apparently two startling ideas that hold sway over the current political dispensation as well as the leadership of its wider national socio-political base. The first is that good governance will conquer the political terrain across the religious divide, which appears to be a case of triumph of hope over experience. The second seems to have been somewhat unthinkingly adopted out of perceived contingent necessity. It entails a conviction that India’s historic transformation can be achieved through the existing bureaucracy, with the help of American management consultants. These are staggeringly optimistic beliefs and one searches in vain for a convincing rationale. The potential consequences if the NDA falters as a result of such missteps would be a threat to India’s very survival as a sovereign polity, with the catastrophic electoral triumph of a fractious coalition national government, compromised by foreign interests.

While a mood of jubilation, even triumphalism, has overtaken much of India’s chattering classes they seem largely oblivious to ominous signs of structural forces unfolding relentlessly within their polity and society though adversaries of Indian nationhood have quite clearly understood them. One immediate contingent issue that has potential to destabilise India’s painfully won progress is Narendra Modi’s succession. There is a strong likelihood of an unholy struggle to become his successor and that could descend into a deadlock that anti national political forces will eagerly exploit, turning any drama into crisis for India. Such a scenario is what India’s foreign adversaries are awaiting, in order to intensify the internal subversion of India and the effective seizure of its domestic process. This will occur through assets already created by global evangelists, their Jihadi allies and others, who are clutching a MoU with India’s most dangerous enemy close to their chest.

Key Indian border states remain in virtual revolt and all the clever strategies to secure their stability will turn to dust the moment coalition opportunism and horse trading are normalised again in Delhi. The Punjab, West Bengal and Kerala sporadically turn their face against Indian federal obligations and their sullen acquiescence to them could suddenly become an open challenge to Indian political unity itself. Separatist sentiment remains fully alive south of the Vindhyas and their alliance with Anglo American evangelists acquired deep roots in the decade before 2014. At an opportune moment, the indissolubly entrenched soldiery of a Kashmir Caliphate will once again look to the neighbourhood for resolute help to recommence rampant jihad. Others, not excluding Turkey further afield as well as China, will find taking advantage of any fresh Indian troubles an irresistible temptation.

Most importantly, the accelerating demographic transformation of India will only compound any intractable eventual predicament. It is likely to bring the problems closer to the chic salon life of Delhi, with a whole swathe of territory across the heart of India already only nominally governable by either legitimate state or central authority. Delhi’s own recent internal communal violence ought to have already been a foretaste of things to come. Parts of one city alone, Meerut, only a short distance from Delhi, typifies the acquisition of the embryonic elements of concrete self-rule by a single community that derives from demographic pre-eminence. The demographic checkmate has already resulted in the de facto loss of authority in swathes of Indian territory, where the sovereign writ of the central government is barely enforceable. It was most graphically and egregiously evident in West Bengal where a 1,000 or more Hindu women, where sexually assaulted without redress and many others fled the state for having voted for the wrong political party. The killings of nationalists continue unabated in Kerala and threaten to spread elsewhere in the wider region.

India’s domestic vulnerabilities are embedded within a vortex of faithless predatory international intrigue in which opportunism alone rules. Its neighbourhood remains a cesspool of festering resentment and loathing camouflaged only by India’s oversized regional economic and military footprint. The three international players of significance to contemporary India are becoming hazardously unreliable and potentially inimical towards its fundamental national interests. India continues to remain afloat and able to assert its sovereign autonomy in a world of precarious cross-cutting conflictual cleavages and shifting mutual interests by virtue of an accident of fate that the gods alone could have decreed. Contemporary India has sufficient material resources to spend unconscionable sums on military hardware to deter adversaries and adequate balance of payment reserves to swim in the shark-infested waters of the international economy. That India has done so with a degree of adeptness is also fortuitous. It is due to a team of capable ministers and advisers around the prime minister as well as officials running the foreign ministry and supervising the nation’s finances and, of course, the heaven-sent gifts of its prime minister himself.

The US can hardly be regarded as anything other than a duplicitous peril to India’s integrity and autonomy. It only cares for Indian manpower, and infrastructure facilities as a signal to China for a highly unlikely actual military engagement with it, while the contours of their condominium are defined to the accompaniment of militarised tensions. India’s growing middle class market and its technically skilled domestic manpower are an important subsidiary additional attraction for the US. India has become a destination for outsourcing production of US consumption needs for digital services, with or without temporary rights of presence for Indians in the US for delivery. But virtually open war has been declared against India by US government agencies like USCIRF, its shameless arms-length media proxies and a malicious American academia.

The US refurbishing Pakistani F-16s while its national military planning, including nuclear strategy, are fully integrated with China’s war plans against India, is nothing short of treachery. This episode will no longer be dismissed as minor, as some in India have done, if China helps arm Pakistani F-16s with advanced missiles and India’s border standoff with China turns into real combat. The abiding US attempt is regime change in the hope of implanting the kind of accommodating political elite every other US ally is apt to become. If there are any doubts, the willingness of Europeans to contemplate national suicide to comply with US injunctions over the Ukraine should be a wake-up call for complacent Indians.

India’s new-found intimate friend, France, is ruthless in calculating national interest and immediate advantage though there is an absence of any obvious conflict between their respective contemporary national goals. But the bonhomie is essentially actuated by Indian purchase of French military hardware that lowers the average cost of exorbitant R&D commitments through larger production runs that exports to India allow. The rationale of overdone Israeli solicitude for India is not dissimilar since nothing apparently holds back its global cosmopolitan intellectual elite from unsparing attacks on India and its civilization, from the sanctuary of media houses and by vicious academics in the West. Both countries have relatively small markets for their own defence output and exports are an essential aspect of reducing average costs and ensuring affordability for domestic use. One only hopes the evident cynicism underlying the dynamics of the situational logic of their relationship with India has dawned on its own decision-makers.

The Indo-Russian relationship has long antecedents that justify indulgence in some sentimentality about its allure. Russia has been a reliable friend since the early 1950s, Stalin dispatching food grains to India when Russia’s own post-war situation was still appalling beyond imagining and the US response to India’s plea for supplies had been humiliating. The USSR could not offer succour to India in 1962, having already fallen out with China earlier and preoccupied with the climactic Cuban missile crisis. It rose to the challenge in 1971, mobilising forty divisions at the Sino-Soviet border as a warning against any intervention during India’s liberation war in East Pakistan and the rest is history. But India’s alleged strategic partner, the US, has managed to undermine this imperative partnership with Russia and the reliance on it to keep the mainstay of its air force flying, by forcing Russia into the arms of China in recent months.

The Sino-Russian engagement continues to deepen daily and casts a cloud over the Indo-Russian relationship. India has embarked on deft diplomacy to ensure the continuation of friendship with Russia, but it can no longer be taken for granted in a moment of crisis. Such a crisis will involve China whose covetousness of Indian territory has only grown over time, whetted successively by its dramatic economic advance since the late 1980s. China first seized Tibet formally in 1950, followed by Aksai China in 1962 and has since added Tawang to its list of demands as well as Arunachal Pradesh in its entirety. Demands for the strategic prize of J&K will likely follow if the Chinese economic and military gap with India continues to widen. India has deterred the insolence of the Middle Kingdom by mobilising militarily and it must remain constantly prepared for this challenge, the greatest historic direct and indirect threat to its integrity. – Firstpost, 30 November 2022

Dr. Gautam Sen taught international political economy for more than two decades at the London School of Economics. 

Indian and Chinese troops face-off along the LAC.

Lost rights and setting it right – S. Mukherji

Junípero Serra

We would like to ask how a process of historical truth-telling set into motion in the US is applicable to India, which was brutalised over a millennium by a long line of ruthless foreign invaders, rulers and their local collaborators? – Dr. Saradindu Mukherji

Driving by the township of Camden in north-eastern America, I saw the banner headline, “Enslaved Africans Once Sold Here”. Drawn by this nugget of history, I came closer and found the following description: “African slavery in New Jersey began with early European settlement. By 1766, circa 800 captive people had been sold here at the Federal Street Ferry and two other nearby ferry landings. In Africa, approximately 24 million captured men, women and children marched to coastal prisons. Only half survived the journey. These 12 million survivors then endured deplorable conditions on the Middle Passage ocean crossings, where an additional 2 million died from disease, malnutrition, dehydration, drowning, suicide and abuse.”

It is an impressive way of informing people about some of the most tragic episodes in American history—a message from the later generations about the brutalities and irreparable damage inflicted on their ancestors. This gesture, it is felt, might act as a balm for the descendants of the victims!

Robert E. Lee

In recent times, there have been several well-publicised events around such issues in the US related to various types of gross injustices committed in the past. From the signages standing in front of well-known historical monuments, museums, seaports and vast stretches of farm land to political-cultural narratives, one can notice this. There is no escape from such much-needed reminders. Well-publicised photographs depicting the removal of the equestrian statue of Confederate General Robert E Lee from its high pedestal in Richmond Va in September 2021 was a major milestone in this process of looking back at such acts of gross injustice and atoning, even if symbolically a perversity. The ongoing practice as pursued by some American institutions—local governments to universities, to name the native people deprived of their landed properties by force—called “land acknowledgements”, is a sign of sagacity and maturity that call for appreciation and emulation by all the right-thinking people cutting across national/racial boundaries. Every passing day, more skeletons tumble out of the cupboard. Hence, people were not surprised when the name of Woodrow Wilson, the 28th US president (1913-1921), famous for his 14+4 points, and his stellar role in facilitating the end of World War I was dropped from Princeton University’s International Affairs Department for his racist past. Even the iconic George Washington was found to be a slaveholder owning 317 black slaves. It is indeed a pretty long list.

Be that as it may, one is likely to ask as to how it is relevant for other countries? The underlying principle is certainly applicable to various countries with a similar past. Here, we would like to ask how such a process set into motion in the US is applicable to India, which was brutalised over a millennium by a long line of ruthless foreign invaders, rulers and their local collaborators?

Beginning with the Arab invasion of Sind in the 7th century, Indian society was pulverised by these religious zealots seeking to impose by savagery a different world order—establishing a dar-ul-Islam on a polytheistic India they tauntingly called dar-ul-harb. It is most regrettable that Jawaharlal Nehru described Babar, an alien invader, as “renaissance prince”, a man of culture, in his Discovery of India! In a vivid description, famous historian Arnold Toynbee said, “The Islamic conquest of India is probably the bloodiest story in history.”

In recent times, the movement for the liberation of Ramjanmabhoomi temple in Ayodhya was one such example of claiming back a holy piece of land/temple from illegal occupiers, who were also guilty of desecrating a sacred spot. That thousands of such desecrated temples over which mosques had been erected still remain under illegal occupation is not a classified secret. Several scholarly studies have been done on this aspect (Hindu Temples: What Happened to Them, Vol. I & Vol. II). Much, if not most, of what goes on in the name of Wakf property happens to be located on such landed properties now under unauthorised occupation [as are some Christian churches built on temple lands – Ed]. It is perhaps time to ponder over it, and set right such blatant cases of gross historical injustice!

From desecrated temples, marketplaces for selling Hindu slaves and their export, places of conversion to Islam, Jihadi battles won by “holy” ghazis, museums, political-cultural narratives and finally the all-important history books are now very much expected to see some drastic changes regarding how society must look back at the past. Victims of history from Kandahar to Khulna, Kashi to Kohat and Kashmir Valley, Mathura to Multan to Malabar want more than an acknowledgement of the sufferings: They seek immediate restoration of their habitat and holy places. The victims have waited far too long.

For any society claiming to be civilised, genuinely secular and democratic that wants to avoid the pitfalls of the past, such a moment of reckoning has to come. This generation is expected to witness many healthy debates and acrimonious battles over many such historical experiences people have gone through. It is high time to heal their wounds. – The Pioneer, 13 April 2022

Dr. Saradindu Mukherji is a historian and a member of the Indian Council of Historical Research. His most recent publication is The Citizenship Amendment Act, 2019: Some Reflections.

Francis Xavier

Is India’s national anthem secular? – Koenraad Elst

Rabindranath Tagore

India’s national anthem merely expresses love for the nation through all its variegated landscapes and experiences – plus a veneration for the divine Guru. – Dr Koenraad Elst

India’s anthem, written by Rabindranath Tagore, opens by addressing the Jana Gana Mana Adhinayak or “commander of the people’s minds”, the Bharata Bhagya Vidhata or “dispenser of India’s destiny”. Who is this?

Before focusing on the Indian anthem and wondering to whom it is directed, I want to remind my readers of some fairly well-known facts concerning the anthems of a few other countries, and the unexpected overlaps between them.  This will lay out a framework within which we can evaluate India’s anthem.

God Save the Queen

Indians will probably know, if only from historical movies about the colonial age, Britain’s anthem, the oldest anthem in the world. The writer is unknown, but the attribution to John Bull ca. 1618 is common. It is addressed to God, but otherwise, it is all about the monarch:

God save our gracious Queen [c.q. King], God save our noble Queen, God save the Queen. Lead her victorious, happy and glorious, ever to reign over us, God save the Queen.

As you will notice, the focus is not at all on the people but entirely upon the monarch, in whom the ideals of victory, prosperity and good governance are embodied. This is the traditional monarchical scheme: the ruler as the embodiment of the nation.

Heil dir im Siegerkranz

Less well-known is that the same tune once provided the anthem to several countries, including even imperial Russia (1816-33). When devising national symbols, new nation-states just assumed that the tune of the venerable British empire’s anthem naturally and intrinsically was the melody of the national song. Prussia adopted it in 1795, and after its chancellor, Otto von Bismarck, unified the German states (minus Austria and Switzerland) and presided over the founding of the German empire in 1871, it adopted as anthem the Prussian national song. So, this was set to the tune from God Save the Queen, but with the lyrics:

Heil dir im Siegerkranz, Herrscher des Vaterlands, Heil Kaiser dir. “Hail thee in victor’s laurels, ruler of the fatherland, hail to thee, emperor.”  It is not about God and only tangentially about the nation, but mostly about the monarch. Patriotism is lauded, but again only subordinate to the monarchy: Liebe des Vaterlands, Liebe des freien Manns, gründen den Herrscherthron, wie Fels im Meer, “Love of the fatherland, love by the free man, found the ruler’s throne like a rock in the sea.”

In 1918, after losing the Great War, the emperor had to abdicate and the anthem lapsed. As we shall see, the succeeding Weimar republic would choose a different one, ultimately more controversial.

Wilhelmus

While God save the Queen played a pioneering role in spreading the notion that a state needs an anthem, it was nevertheless not the oldest song to become anthem. That honour goes to the Wilhelmus, written ca. 1572 by Filips van Marnix van Sint-Aldegonde, mayor of Antwerp (the city where I presently live), in honour of Willem van Oranje-Nassau, the founder of the Netherlands. The tune had only recently been composed, 1568, and had served to animate the Huguenot (Protestant) defenders of Chartres in France against their Catholic besiegers. Ideally, after declaring independence from Spain, the country should have encompassed Belgium (including Antwerp), Luxemburg and a slice of France as well, but those territories were reconquered by Spain.

William of Orange never became king nor wanted to: the Netherlands became a republic and the head of state was a Stadhouder (“city-holder”, maintainer of the public sphere, effectively president-for-life). The Netherlands became the trailblazer of modern liberties, first adopted by England in founding the parliamentary rule, then the budding United States and France. Nevertheless, the monarchical mentality was so engrained that this song might as well have been written for a king. It is not about the nation or patriotism, it is about the person of William of Orange. (After Napoleon, when the Netherlands regained their Independence, the Great Powers gathered at the Vienna Conference insisted that the country become a kingdom, not to encourage liberal ideas elsewhere; so William’s descendants became queen or king of the Netherlands; which didn’t increase their power nor decrease their popularity.)

The song goes, in translation: “Wilhelmus of Nassau, am I of German blood.” (Explanation: the dialects that were to become Dutch and German then still formed a single continuum, the way Tamil and Malayalam did before parting company. They were called Duytsch/Dietsch, “folkish”, as distinct from Latin, used by priests and scholars, and when the names were later distinguished, they came to mean “German” c.q. “Netherlandic”/Dutch. Until ca. 1800, Dutch was regularly called Nederduytsch, “low-German”. Moreover, William’s hereditary fief Nassau did indeed lie in what became Germany. This expression explains why during the German occupation in World War II, this 1st stanza was avoided in favour of the anti-tyrannical 6th.) “True to the fatherland I remain until death. A prince of Orange I remain, free and fearless. The king of Spain I have always honoured.”

The song is written from William’s own viewpoint and reflects his profound dilemma between his loyalty to his suzerain, the king of Spain, and his God-given duty to his people. The central part of the very long song, the rarely performed 8th stanza, likens him to the Biblical king David, showing the Bible-solid Calvinist inspiration of its author. The better-known 6th stanza clearly subordinates him to God: “My shield and trust art Thou, oh God my Lord. On Thee I want to build, don’t ever leave me. May I remain pious, Thy servant at all times, and drive away the tyranny that wounds my heart.”

When the song was written, there was no notion of a national anthem yet. During the 19th century, a different song served as the anthem, and it was only in 1932 that the Wilhelmus was adopted. But meanwhile, its tune had been used to turn a different poem into a song.

In 1814, at the fag end of the Napoleontic occupation, Max von Schenckendorf wrote a poem expressing German patriotism: Wenn alle untreu werden, so bleiben wir doch treu, dass immer noch auf Erden für euch ein Fähnlein sei, “When all become disloyal, even then we remain loyal, so that always your flag will stand somewhere on earth.” It is a nationalist poem, ending in a pledge to the German Reich, which didn’t exist at the time, though its shadowy existence had only been abolished by Napoleon in 1806. The memory was still fresh, and as an ideal, it lived on. It illustrates, as do many of these poems and songs, how Christianity shaded over into nationalism, by likening the worship of “false gods” to the submission to foreign rulers.

The poem was soon put to music using the Wilhelmus tune. Then, more than a century after the poem had been recited and sung, it was adopted by the Nazi elite corps SS. In many contemporary sources, you will find it mentioned as SS-Treuelied, “SS Loyalty Song”. This is a symptom of a common hypersensitivity for anything associated with Nazism, especially in people with a Nazi-centric worldview (such as Leftists who have to hide their own crimes behind a maximized memory of WWII, when even Winston Churchill had to accept Josef Stalin as a good guy only for fighting the Nazis). In reality, the Treuelied owed nothing at all to National Socialism, any more than other much older symbols such as the Swastika or the “Black Sun” (a kind of 12-armed swastika, present on the Wewelsburg castle floor where the SS had chosen to install its headquarters). It will nevertheless still take some time before these symbols, tainted by association, can be completely healed and used again without complications.

The Wilhelmus, though, was never seriously affected. The Dutch have never considered disowning their anthem because of the late and temporary association with the SS. By contrast, another innocent song, or at least part of its lyrics, was demonized.

Gott erhalte unsern Kaiser

For his birthday in 1797, the Austrian emperor Franz was treated to a new song, with lyrics by leading poet Lorenz Leopold Haschka and music by the famous composer Joseph Haydn. When visiting England, Haydn had been enthused by the ready presence of a good song that everybody knew and that expressed their national togetherness. Though he was composer enough to compose his own tune, he too had been inspired by God Save the Queen as the model of an anthem. The lyrics too were somewhat modelled on the British text:

Gott erhalte unsern Kaiser, unsern guten Kaiser Franz, “God save emperor Francis, our good emperor Francis.” And it goes on about: “Long live Francis the Emperor in the brightest splendour of bliss! May laurel branches bloom for him, wherever he goes, as a wreath of honour”, etc. It is his well-being that counts, not the nation, though he is posited modestly below God.

Here too, the defeat of 1918 rendered the song without object, so the lyrics were replaced but the tune, after a decade of disuse, was revived in 1929. The lyrics had now become thoroughly republican, focused on the nation instead of the head of state, but with God still lurking in the background: Sei gesegnet ohne Ende, “be blessed without end”. It lapsed in 1938, when Austria was annexed by Germany.

La Marseillaise

After the French Revolution of 1789, the Revolutionaries who came to power were first of all nationalists. Today’s Leftists, who advocate open borders, demonize military service and laugh at nationalist propaganda, like to forget it, but on the said issues, they were poles apart with their French role models. In 1792, they devised a song, which in 1795 they adopted as anthem, wherein neither king nor God played a role (Ni Dieu ni maître, “neither God nor master”). The focus was fully on the nation, the tone combative: Allons enfants de la patrie, le jour de gloire est arrive, “Let’s go, children of the fatherland, the hour of glory has arrived”. This set the template for a number of secular anthems in new states the world over. It was rich in energy and self-righteousness, but poor in wisdom.

The Star-Spangled Banner

The anthem of the USA was written in 1814, to the tune of an existing popular song from Britain, by Frances Scott Key, a lawyer who had witnessed a scene from the British-American War of 1812 from a rare vantage point: as a prisoner held on a British ship participating in a British naval siege of Baltimore. He had been impressed with the American flag on the tower of a coastal fort, and saw how after a night of fighting, it was still there is the morning. That, then, is the focus of the song: not God, not the ruler, only tangentially the nation (“the land of the free and the home of the brave”), but the national flag, plus the bravery of the American soldiers who defended it. It served as the semi-official anthem for a century, until in 1931 a law was enacted officially declaring it the anthem.

La Brabançonne   

The Marseillaise, “(the song) of Marseille”, named after volunteers from Marseille who had intoned the song while entering Paris, served as the model for the Belgian national anthem, La Brabançonne, “(the song) of Brabant”. This is the province where Brussels is located, somewhat like “Kashi” for “Varanasi”. That song has no God either, but peripherally it does venerate the king, as the country (1830) had to make its way in a world where the post-Napoleontic Vienna Conference of 1914-15 had installed a system of monarchical anti-Revolutionary regimes: …le roi, la loi, la liberté, “…law, king and liberty”. As an exceptionally liberal country, with freedom of the press and asylum for foreign dissenters, Belgium has its anthem contain the liberal phrase: het woord getrouw dat g’onbevreesd moogt spreken, “true to the word that you are allowed to speak without fear”. But the focus is on the nation itself and its territory: O dierbaar België, o heilig land der vaad’ren, onze ziel en ons hart zijn u gewijd, “Oh precious Belgium, oh holy land of the ancestors, our souls and our hearts are vowed to thee.”

Das Lied der Deutschen

At the end of 1918, Germany became a republic. A new anthem did not have to be devised. The lyrics had been available in a nationalist poem from 1841 by August Heinrich Hoffmann von Fallersleben, and since then it had been sung to the tune of the well-known Austrian Emperor’s Hymn. It was the time of German unification, and the song called on all Germans to put their loyalties to their own local states between brackets and focus on the then-fragmented Germany as a whole. Hence the song’s title: Das Lied der Deutschen, “The Song of the Germans”, or the Deutschlandlied, “Germany’s Song”. Foreigners usually know it through its opening line, Deutschland über Alles, “Germany above all”. This sentence had nothing to do with condescension towards non-Germans, only with a hierarchy between Germany as a whole and its parts: Germany above Bavaria, Germany above the Rhineland, etc.

It did not address a monarch, but the German nation. The liberal nationalists then in the forefront contrasted their own modern liberal and predominantly secular nationalism with loyalty to the erstwhile Holy Roman Emperor and the contemporaneous Austrian emperor. In the revolution year 1848, it represented a rebellion of the people against the transnational nobility. It is for this reason that in 1922, the Weimar Republic chose Das Lied der Deutschen as its anthem, marking a break with the Imperial Germany of the preceding half century.

Somewhat like Jana Gana Mana, the song situated the country geographically, not by listing its component parts (“Panjaba, Sindhu, Gujarata, Maratha…”), but by listing its borders, roughly: “Von der Maas bis and die Memel, von der Etsch bis an den Belt.” These are the borders, flatteringly but not imperialistically defined, of the German speech area with the French/Dutch, c.q. the Baltic, Italian and Danish speech areas during the mid-19th century. Note that then a unified Germany was still an ideal and its borders were still being debated: it was deemed desirable to include Austria and hence the border would be with Italy. Around 1920 too, the Etsch border with Italy was a realistic proposition, for it was the outspoken desire of the Austrian people to be included in Germany, as is clear from the massive majority that this proposal received in a referendum. (However, France as a victor in the Great War disallowed it.)

The song remained national anthem when the National Socialists under Adolf Hitler came to power in 1933, including when they occupied much of Europe in 1939-45. The latter circumstance gave the song a highly negative connotation. Outsiders reinterpreted the opening line as meaning: “Germany above every other nation in the world.” When Dutch children saw the British bombers fly over their country to drop their load over German cities, they inverted the sentence: Alles, Alles über Deutschland, “(Drop) everything on Germany”.

After 1945, the same anthem continued, or at least its melody. Of the lyrics, only the 3rd stanza has an official status. It carries the liberal bias of Hoffmann von Fallersleben’s unification movement: Einigkeit und Recht und Freiheit für das deutsche Vaterland, danach last uns Alle streben, brüderlich mit Herz und Hand…, “Unity and Justice and Freedom for the German fatherland, for that let us all strive, fraternally with heart and hand”. The 2nd stanza is innocent but not deemed dignified enough to serve as an anthem, and the first is frowned upon as irredentistically seeking the restoration of Germany’s pre-1945 borders: with the loss of East Prussia, the Memel river is now hundreds of miles from the German borders, and with the definitive independence of Austria, Germany has lost all pretence of bordering Italy. Now, the listing of these borders has acquired a decisively imperialistic meaning which originally it did not have.

Many laymen think there is something Nazi about this song (as also about the Treuelied). These are not just tamasic Leftists who fill their empty minds with endless Hitler references in order to assure themselves of a moral high ground, but also the mass of people who are simply ignorant. However, the true story is just the reverse: it is politically liberal, pro-constitution, pro-democracy, and emphasizes the non-aristocratic, people-oriented angle of nationalism. It lays no claim to non-German lands and does not contain even a germ of hatred against other nations or communities such as the Jews. When all is said and done, it is just a song, set to the beautiful music by Haydn.

Jana Gana Mana

This survey of the trail-blazing European anthems, upon which all other anthems were modelled, indicates three possible foci: God, the monarch, and the nation. Traditional monarchies tend to have anthems focusing on the monarch, either putting him in the shadow of God (God Save the Queen, Wilhelmus), or presenting him as the highest authority by himself (Heil dir im Siegerkranz). Modern songs emanating from secular elites tend to avoid God, such as the French and German republican anthems, and they have a conspicuous absence of references to the head of state, who is simply one of us, one of the nation that is already being glorified.

In what category does Jana Gana Mana fall? What did it mean at the time when it was composed? In the rest of this essay, we will find out.

The song was written in 1911 by the Bengali poet Rabindranath Tagore in a high Bengali bordering on Sanskrit. (Among his other poems, one more made it to the status of national anthem: Amar Sonar Bangla, “My Golden Bengal”, written in 1905, was adopted as anthem by Bangladesh in 1971.) In a multilingual country, it has the virtue of being understandable to every citizen with even just a smattering of education. It was first performed at a conference of the Indian National Congress.

The song was first performed with the status of the national anthem by Subhas Chandra Bose’s troops. Before his well-known leadership of the Indian National Army under Japanese tutelage in 1943-45, he had commanded a smaller army, recruited from among the Indian soldiers in the British regiments taken prisoner at Dunkirk, as part of the Nazi-German war effort in 1941-42. It was in Germany that men, for the first time, stood to attention for Jana Gana Mana as India’s national anthem.

The Bharata Bhagya Vidhata is not King George

The song is frankly nationalist to the extent that it glorifies the nation and its territory, of which it enumerates the provinces. However, it also addresses and glorifies the Jana Gana Mana Adhinayak, the “commander of the people’s mind”, who is at the same time the Bharata Bhagya Vidhata, the “dispenser of India’s destiny’. Does this refer to the country’s hereditary or appointed or elected ruler?

We can imagine the vainglorious Jawaharlal Nehru, as Prime Minister in the 1950s, feeling flattered whenever the crowds in front of him were intoning these words. But then, he was not seriously in the picture yet in 1911. At that time, the British king George V was India’s ruler. Moreover, he was to pay a visit to India only weeks after the song was first performed—at a Congress meeting where a proper reception for the king was central on the agenda.

By connecting these dots, the British press at the time, and many of its Indian readers, believed that Tagore composed the song in honour of the king. The claim proved particularly tenacious, and it is occasionally heard even today. Yet, the poet was to deny this, later in life even vehemently. But the first years, this correction did not reach the public.

The confusion in the British and British-Indian press partly came about due to the existence of another song by an Indian that did genuinely glorify the British king-emperor. This was Bâdshâh Hamâra, “Our King”, written in Urdu by Rambhuj Chaudhary, and it was sung on the same occasion but explicitly in praise of the monarch. At that time, Congress was still committed only to dominion status within the British Empire, so with King George as its legitimate ruler.

The mistaken belief that Tagore had wanted to praise the British king and thus further legitimize his rule over India had its bright side. It crucially helped in convincing the Nobel committee to award its 1913 prize for literature for the first time to a non-Westerner. Gitañjali, Tagore’s award-winning collection, is no doubt fine poetry, but to win the Nobel Prize, it was best to satisfy a preliminary condition. Tagore was deemed a loyalist of the colonial dispensation, and therefore a convert to civilization uplifting his own more backward countrymen. Now that was the kind of merit to be rewarded.

If questioned, the Swedes on the committee would probably not have opposed or condemned India’s nationalist movement. But at the same time, Europe in those days was abuzz with stories of murderous rebels and of brave colonials who went there to tame them. So, to actually give open support to a rebellious colonial underling would have been too much even for the well-meaning Swedish bourgeoisie. In these circumstances, the mistaken impression that Tagore had put his literary services at the feet of the British monarch came in handy.

Then who is the Bharata Bhagya Vidhata?

In a letter dated 10 November 1937, Tagore explained the true story:

A certain high official in His Majesty’s service, who was also my friend, had requested that I write a song of felicitation towards the Emperor. The request simply amazed me. It caused a great stir in my heart. In response to that great mental turmoil, I pronounced the victory in Jana Gana Mana of that Bhagya Bidhata [Bengali pronunciation; “dispenser of destiny”] of India who has from age after age held steadfast the reins of India’s chariot through rise and fall, through the straight path and the curved. That Lord of Destiny, that Reader of the Collective Mind of India, that Perennial Guide, could never be George V, George VI, or any other George. Even my official friend understood this about the song. After all, even if his admiration for the crown was excessive, he was not lacking in simple common sense.

Here Tagore already lets on the real identity of this Dispenser of India’s Destiny. As a scion of the Brahmo Samaj, which frowned upon the variety of god-figures from devotional Hinduism, he avoided mentioning by name any god. Yet, he leaves no one in doubt that he means the Eternal Charioteer leading the pilgrims on their journey through countless ages of the timeless history of mankind. This clearly refers to the Krishna of the Bhagavad Gita, who is there as Arjuna’s charioteer. He is worshipped as an incarnation of Vishnu, who takes birth from age to age, whenever Dharma has weakened and needs to be strengthened.

Usually, only the first stanza is publicly sung. But if you read on or sing on to the third stanza, it all becomes clear enough. The iconography of Vishnu and Krishna (chariot, conch, the expression yuge yuge, “age after age”) is exuberantly sung there, and the singers describe themselves as yatri, “pilgrims”. King George, Prime Minister Nehru or any otherworldly ruler is absent, the entire focus is on Krishna, the guide and charioteer. He is said to “deliver from sorrow and pain”, which would be too much honour for a mere state leader; and to be “the people’s guide on the path”. Hail to the Bharata Bhagya Vidhata!

Is it secular?

For a republic that is always praised as “secular”, we might expect a secular anthem, somewhat like La Marseillaise or Heil dir im Siegerkranz. But whereas these two simply ignore religion altogether, Jana Gana Mana does at most have a passage that could be termed secular in the Gandhian sense, viz. an equally positive recognition of all religions by the state. India only calls itself secular since 1975, when Indira Gandhi’s Emergency dictatorship inserted the words “secular, socialist” into the Constitutional description of India as a “democratic, federal republic”. That makes these two words the only ones in the Constitution that did not go through a proper parliamentary debate. In the days of the Constituent Assembly, by contrast, Dr. B. R. Ambedkar, chairman of the Constitution Drafting Committee, explicitly refused to include “secular”. When, 28 years later, the term did get inserted, it had acquired the meaning “anti-Hindu”, yet most Hindus accept the term because they naïvely assume it still has the meaning “secular”.

That word was not in the air yet when Tagore composed the song, in 1911. But he did support religious pluralism. In fact, like most Hindus, he took it for granted as self-evident, not in need of being articulated as a separate doctrine. It was in his case vaguely the Gandhian idea of “equal respect for all religions”. Consider another unsung stanza, the second. To a superficial reader, this might give the impression of espousing religiously neutrality: “We heed Your gracious call. / The Hindus, Buddhists, Sikhs, Jains, Parsis, / Muslims, and Christians, / The East and the West come together, / To the side of Your throne, / And weave the garland of love. / Oh! You who bring in the unity of the people!”

Indian Muslims and Christians still have a lot of un-Islamic or un-Christian feelings in them, inherited from their Hindu ancestors, adopted from their Hindu environment, or simply stemming from universal human nature. Thus, they generally have a strong attachment to their motherland, overruling their tutored orientation to Mecca, Jerusalem or Rome. In that sense, their attachment to India does bring them together with their Hindu compatriots. Most Hindus are not too serious about doctrines, they overlook the specific points which set Islam and Christianity against all other religions, and hence they tend to welcome all sects into the Indian fold.

But this stance is not reciprocated. The attitude that takes all sects to be one happy family, is emphatically not Muslim and not Christian, for these sects vow only hellfire upon all the others. The spirit of this second stanza is not also-a-bit-Muslim nor also-a-bit-Christian, it is not a bit of everything; it is thoroughly Hindu.

Also ran

When the Freedom Movement and later the Constituent Assembly deliberated upon the choice of an anthem, there were three candidates. Sare jahan se accha Hindustan hamara, “Of the whole world, the best is our Hindustan”, was an Urdu song by Mohammed Iqbal, composed in 1904. Having studied in Germany, he may well have been inspired by Deutschland über Alles, but with the wrong though now common idea that this means: Germany is superior to the rest. At any rate, his opening line said in so many words that India is superior to the rest. Whatever the merits of the lyrics and the melody, any choice for an Iqbal song came to leave a bad taste in the mouth when, shortly before his death in 1938, he became the spiritual father of the fledgling Pakistan movement. Nonetheless, it has never ceased to enjoy a certain recognition within the Indian Army.

Another option was Vande Mataram, “I salute thee, Mother”, meaning Mother India. It was drawn from a novel by Bankim Chandra Chatterji, Anandamath, “Abbey of Bliss” (1882). Covertly, the story appealed to its readers to rise up against the colonizers, at that time the British. But in its explicit narrative, it was set in an earlier age, when the occupiers against whom to revolt were Muslims. As was to be expected, Muslims and Nehruvian secularists objected.

Moreover, and perhaps even more decisively, Muslims proposed a theological objection: this veneration of the Mother Goddess, easily recognizable as the warrior-goddess Durga, was idolatry pure and simple. Only Allah should be worshipped, and to the extent an anthem with all its pomp and ceremony was acceptable at all (the Jehovah’s Witnesses reject it), it should emphatically not deify the nation nor any symbol or deity associated with it. Till today, Muslims regularly boycott public performances of Vande Mataram.

But in fact, Jana Gana Mana’s “dispenser of India’s destiny”, while not its past or present ruler, unambiguously signifies the divine Guide, the eternal Guru, Krishna. If Vande Mataram is “communal”, then so is Jana Gana Mana.

Nehru supported the Muslims in their objections against Vande Mataram, thus, in fact, misdirecting their attention and deflecting further scrutiny of Jana Gana Mana. But to give his own plea against it a less communal colouring, he took an entirely different line and objected that the song is too difficult to sing. Though this objection was disingenuous and had to hide another reason, it had a core of truth. In the functions where I have seen it sung, it was typically performed by a professional singer, while the public kept mum. In comparison, Jana Gana Mana is a pleasant and beautiful hymn that anyone can sing. As far as my opinion counts for anything, I think the Constituent Assembly made the correct choice.

Conclusion

Yet, it may have been a choice based on incomplete information. Clearly, most voting members were unaware of Jana Gana Mana’s third stanza. Alternatively, they may have considered it as not really part of the national anthem anyway. Or, they may not have cared for secularism anyway. At any rate, when including the third stanza, the song is emphatically God-oriented and Hindu.

India’s anthem is not ruler-oriented like Heil dir im Siegerkranz. It is not ruler-and God-oriented, like the Wilhelmus, God Save the Queen, or Gott erhalte unsern Kaiser. It is not secularly nation-and-state-oriented, like the Marseillaise, the Star-Spangled Banner, the Brabançonne or Das Lied der Deutschen. It is emphatically nation-and-God-oriented, God in this case probably being identifiable as Krishna, or more abstractly, the idea of the Divine involving Itself in this world whenever Dharma requires it. The song does not commit itself to a specific political system, such as monarchy, by glorifying the ruler. It merely expresses love for the nation through all its variegated landscapes and experiences—plus a veneration for the divine Guru.

According to Rabindranath Tagore, and according to all Indian citizens who intone or honour his anthem, India is not complete without a heaven-oriented, sacred dimension. – Pragyata, 17 March 2017

» Dr Elst is an historian and indologist with MA degrees in Sinology, Indology and Philosophy. He lives in Antwerp, Belgium.

Krishna & Arjuna

India can establish Ram Rajya today – David Frawley

Rama & Sita

To find Rama we must first find Sita, which is to honour the earth and emulate its receptive and caring nature. To defeat Ravana we must gain Hanuman as an ally, meaning a life purpose dedicated to the Divine, not to the separate self. – Dr David Frawley

Sri Rama is the ideal ruler whose image has dominated the history of India. He is the avatar of Dharma, which is right action, holding to truth and duty as supreme. The Ramayana is the most famous story and performed drama, not only in India, but in Asia overall.

The epic account of Rama and Sita has embedded itself in the local art and culture of the entire region. And this is over a period of more than 2,000 years, with the coming and going of many kingdoms, and radical changes in civilisation.

Rama’s defeat of Ravana, which is colourfully celebrated on Dussehra with both fervour and fascination, is the most dramatic event in India’s vast literature, the supreme conflict of Dharma versus adharma. The Buddhist poet Ashwaghosha, who composed the life of the Buddha, lauded Valmiki’s Ramayana as the greatest Sanskrit poem.

Yet Ravana was not merely a wicked demon as commonly portrayed. He was originally a great king, a follower of Lord Shiva, a master of the Sama Veda and of Brahmin lineage. Yet he suffered from the ultimate human defect, which is pride and arrogance.

He wanted to possess Rama’s wife Sita as a trophy for his power, a sign that he was greater than all the kings of the day, notably Rama. Yet our Ravanas today are much worse—not representing a precipitous fall like Ravana, but an inability to rise up in the first place.

A new vision of Dharma

Many leaders of India’s Independence movement, including Mahatma Gandhi, used the term Ram Rajya to describe their vision for modern India. While secular politicians have tried to reduce Ram Rajya to a mere metaphor, its spiritual and yogic connotation cannot be forgotten.

Ram Rajya is the land of Dharma, poetically described as a realm of peace, harmony and happiness for young and old, high and low, all creatures and the earth itself, in recognition of a shared universal consciousness.

Ram Rajya is not simply an ideal of the past but of all time, and reminds us of the glory of ancient India and its noble traditions.

The message of the Ramayana is the need to hold to Dharma, karma yoga and respect for the sacred nature of all life, even when it may cause personal loss or require self-abnegation. If we do so, as in the case of Lord Rama, even all the forces of nature will come to our defence.

Today our culture seems to promote opposite values to Dharma, not renunciation of the ego-self but its unbridled expansion. Our personal rights reign supreme, behind which hides a plethora of commercially stimulated wants, appetites and impulses.

Duty to family, community, country and humanity is looked upon as a violation of our personal independence, our right to first satisfy our own urges, whose origins we may neither know or question.

Ours is not a culture of self-sacrifice but of self-assertion. We have forgotten our karmic responsibility for ourselves and for the whole of life.

Our society has become expansive outwardly without a corresponding inner dimension of service and spirituality. We spend our time trying to fulfill artificial desires and unnecessary cravings that limits creating the proper resources for all.

Rising to the challenge

We certainly need a new ideal of Ram Rajya to fight the many new Ravanas of corruption, manipulation and materialism that seem to have a thousand heads these days.

Yet to find Rama we must first find Sita, which is to honour the earth and emulate its receptive and caring nature. To defeat Ravana we must gain Hanuman as an ally, meaning a life purpose dedicated to the Divine, not to the separate self.

Rama rules in the eternal realm. The question is when we will embrace the cause of Dharma on earth and give up the conflict and duality caused by adharma.

This may require tremendous effort given the ominous gathering of hostile forces on the world stage today, but it remains our true goal that we should never forget. If we arouse Sri Rama within ourselves, we can make an important contribution to that eventual Ram Rajya everywhere. – Daily-O, 10 October 2016

» Dr David Frawley (Pandit Vamadeva Shastri) is a Vedacharya and includes in his wide scope of studies Ayurveda, Yoga, Vedanta and Vedic astrology, as well as the ancient teachings of the Rigveda.

Ram & Ravana

Contemporary challenges facing Hindu society – Gautam Sen

Durga Puja Kolkata

Hindu society is also stirring silently, but with heartening self-confidence. The wave of a massive movement … is spreading from the … obscure tribal districts of Mandla in Madhya Pradesh to adjacent regions and beyond, across India. It draws its inspiration from the likes of Vivekananda, Aurobindo, and Chanakya and promises to overturn the long-held accepted norms of acquiescence to threats against Hindu society and the retreat that usually follows. – Dr Gautam Sen

Waking up to the sonorous voice of Birendra Krishna Bhadra, reciting the intensely poignant Mahisasuramardini, announcing Mahalaya, is a moment of extraordinary significance for Bengali Hindus. Its memory prompted me to reflect on the catastrophic fate of contemporary Bengal. Dolorous is the word that instantly comes to mind, when contemplating the intellectual, spiritual and moral disintegration of Bengal. Its historic antecedents are in the attempted partition of Bengal under Lord Curzon and its eventual occurrence four decades later. The trauma of the experience gave rise to a self-destructive malaise, paradoxically and inexplicably, presided over by communist refugees fleeing Islamic Jihad in East Pakistan. The final political chapter is being written by the banal phenomenon of Trinamool Congress. Under the bizarre rule of its leader, idolised by many Bengalis, a major growth sector of the local economy is middle class prostitution, testament to the moral nullity that has overtaken its society.

The Bengal renaissance that led India into modernity, reaching back into its Vedic past, gifting the world Swami Vivekananda and a galaxy of luminaries, has all, but evaporated. No profound reflections by a sage like Rishi Aurobindo, unprecedented scientific endeavours of a Jagdish Bose and Meghnad Saha or poet of Tagore’s astonishing talent or the renowned filmmaker Satyajit Ray, have emerged in recent decades. And nor is there in the horizon a new grammarian, linguist and moralist, echoing Montaigne, like Ishwar Chandra Vidyasagar, taking humanism to new heights, clad in modest dhoti. Instead Bengal’s post-independence educated class unleashed nihilistic bloodlust on society in the name of a Chinese warlord, Mao Zedong, in cahoots with Islamic Jihad and then fled to a salubrious life abroad. This cynical and self-seeking cabal has since been virtually urging US and Western imperialist intervention to curb India’s alleged descent into Hindu fascism!

Of course Hindu civilisation itself has also been in retreat for more than one millennium, although its reluctance to acquiesce to an ultimate coup de grace is both remarkable and puzzling. In the aftermath of the transfer of power in 1947, completely erroneously labelled peaceful, this historic hiatus of an endless pause from socio-cultural erasure appears to have been broken. Hindus are now descending rapidly towards cultural and spiritual oblivion.

Gandhi & Nehru (1942)Independent India had fallen under the suicidal spell of an eccentric, the kindest accolade he could be accorded, and he nominated a primus inter pares ill equipped to secure and defend the civilisation of Indica. It was also at his insistence that the new government of India was obliged, by the threat of a fast unto death, to fund the very war the state of Pakistan unleashed against India within months of partition. His tragic murder consigned the fate of Hindus and any prospect of social and spiritual renewal to the ideological detritus of the departing colonial power. The outcome has been a conspiracy to impose an ideology on the fledgling republic that eventually empowered Islamic Jihad, Christian resurgence and grand larceny as its abiding motifs.

The chosen nominee for the premiership of independent India was himself from a morally bankrupt Kashmiriyat political tradition of incoherence and imbued with vaulting self-regard that had already surrendered its own community to predators, although the endgame awaited the 1990s. His family subsequently sought to turn popular Indian democracy into indefinite dynastic rule, by nurturing every latent fault line and endangering the nation’s very survival, until boundless greed overwhelmed all judgement and common sense. It is they, who were responsible for the immeasurable tragedy of the Punjab, in a vain and imbecilic attempt to augment regional political power to dominate the Centre. Their earlier catastrophic follies in relation to Tibet and Kashmir are open IOUs to fate that hang like a sword of Damocles over future generations. The recent rise of Narendra Modi, who ended the unfolding calamity abruptly was considered to be the moment of a reversal of rapid decline, though it could not be and was nothing of the sort.

In the meantime, Hindus are in confused retreat on multiple fronts. The best outcome they can apparently hope for and many earnestly seem to desire, is to become like Koreans, with the accretion of a degree of prosperity, but without history or their rich and vibrant antecedent traditions and culture. Korea is now largely a Christian nation and its remaining Buddhists dismayed at waning state patronage of their age-old religious and cultural heritage. What historical national identity Indian secularists would prefer without Hindu antecedents is a mystery, since all culture and memory permeate it. The defining societal hallmark of this terrifying prospect is the growing insignia of the Ambanis and Vijay Mallya rather than the sage Adi Shankaracharya and divine Swami Vivekananda. Wealth, its grotesque display and obscene consumption, imitating the imperialist and racially arrogant elites of the US, is the warped longing degrading the humanity of Hindu society, as it has done elsewhere. Self-restraint and genuine concern for the welfare of the many in desperate circumstances, the essence of self-realisation and godliness, appear to have been substituted by the moral universe of Hades.

Abroad, Indian humanities and social science academics have been whipped, en masse, into an incomprehensible and incoherent frenzy of rage against imaginary signs of supposed Hindu self-assertion. So ferocious is their desire to curb this alleged Hindu descent into fascism, embodied by Narendra Modi’s modest electoral success, they are evidently willing to join hands with Islamic Jihad to protect the oxymoron of Indian secularism. Some among them not-so subliminally seek armed international intervention to protect their terrorist allies from the wrath of the Indian state, under the guise of minority rights, and, presumably, to prevent church window panes being broken in India. The genocidal impact of such intervention, visible in the Middle East, is possibly regarded as an incidental bonus!

Foreign governments like the US and the UK, which have always had malign intentions towards India, want to use it as a pawn against China, though the prospect of betrayal in a Sino-US deal that institutes condominium is the most probable outcome. Significantly, both governments and their European allies, aided by the Republic of Korea, are waging a deadly war simultaneously to permanently subvert Hindu civilisation through religious conversion. In a recent visit to Nepal, I was stunned to be told by several knowledgeable public figures that the Church privately boasts about how a third of the population has already embraced Christianity. Christianity has indeed advanced in Nepal through allurement, subterfuge and outright bribery, including a multimillion dollar inducement to a former prime minister. The dramatically successful campaign of religious conversion in Nepal, across India and within the UK itself, abetted by some infiltrated British Hindu social and religious organisations, highlight the perversity of the situation.

Narendra ModiYet the rise of Narendra Modi represents a moment of respite and hope. Having inherited a parlous nation, in the throes of economic, political and moral chaos, the appropriate priorities for reversing its decline are easy to debate and dispute. And the authority and power he and his government enjoy are not unfettered, as political and social life in India brutally demonstrated in the past two years. The incumbent government is besieged on many fronts by an array of truculent adversaries, determined to thwart even the most indispensable policy measures. International conspiracies, originating in foreign capitals, aided by treasonous domestic surrogates and incited by a suborned anti-national media, abound visibly. The urgent task of national economic revival is preoccupying the Modi government’s attention and socio-cultural initiatives appear to enjoy less prominence. However, the task of securing the nation’s future in a hostile world, by creating national productive capacity and ensuring future electoral consolidation, surely depend on the overall policy stance adopted by Narendra Modi.

Hindu society is also stirring elsewhere, silently, but with heartening self-confidence. The wave of a massive movement, Hindutva Abhiyan, for example, is spreading from the apparently unpropitious and obscure tribal districts of Mandla in Madhya Pradesh to adjacent regions and beyond, across India. It draws its inspiration from the likes of Vivekananda, Aurobindo, and Chanakya and promises to overturn the long-held accepted norms of acquiescence to threats against Hindu society and the retreat that usually follows.

» Dr. Gautam Sen is President, World Association of Hindu Academicians and Co-director of the Dharmic Ideas and Policy Foundation. He taught international political economy at the London School of Economics and Political Science for over two decades.

Sri Aurobindo